Showing posts with label B-side. Show all posts
Showing posts with label B-side. Show all posts

Saturday, May 18, 2019

Spiral-ing

It's a cloudy gray day, dark enough to need lamp light at noon. Not ideal for photography, but it helps with stitching ...

I've got spirals on my mind, courtesy of this little being ...

Deb's threads add to the fun I'm having, just randomly split-backstitching on a store-bought towel ...

And as so often happens, the back is as good or better ...

Here's to rainy days and B-sides ...

 

17 thoughts on “Spiral-ing


B side reminds me of the saying “back door guests are the best.” I’ve purchased cloths and towels to do the same thing. Thanks for reminding me. Blessings.

Like


i smile…looked at latest B sides and oh, Lordy. I love them but they are just wild
Deb’s thread is a never ending pleasure

Like



  1. this has been such a sweet short project … I’m only doing a handful of cups in hopes that the recipient might continue stitching it in the future

    Like



Saturday, November 24, 2018

Braille for the sky

With a nod to Mo for inspiring the title of this post, here's where I am with the first of two "endpapers" for Moon Myth ...


The moon phases, not yet attached, were made by piercing handmade paper
with a needle and then gently pushing the resulting shapes out ... 


creating softly feathered edges ...


The night sky was made from a thrift store linen dress which had bias-cut strips seamed together ...


I folded the cloth over and visibly basted two layers together with Jude's glue stitch worked in size 8 perle cotton, creating a wonderfully textured front ...


and (as always) a wild and crazy looking back ...


Don just walked in and said, "that's cool."

Yeah, I'm thinkin' it is, too.

Thursday, September 20, 2018

Beside myself

I hate losing sight of the back of a cloth ...


which is inevitably what happens when one turns to the front ...


making something of it ...


So many stitches, some intentionally visible ...


others not, here because Deb Lacativa's thread slips from light to dark, making Jude Hill's invisible baste true to its name ...


still others becoming hidden when they don't make the final cut.

Then there are the stitches that have been undone ...


No trace left, and no clue yet about what, if anything, will replace them.

Monday, September 3, 2018

Time well-spent

Last week with P was gently spent, and naps afforded some time for stitching ...


This was a thrift store find, originally white linen that I overdyed with Prairie tea (Croton) gathered in our yard a couple of years ago. The plackets needed to be tacked down, so I started some detached back stitching with variegated Valdani #12 pearl cotton last month ...


but as so often happens, I liked the back better ...


so the first pass got ripped out and replaced with inside-out detached backstitching. One side done, one to go.

And no, I haven't forgotten our travels need to be documented further ... all in good time.

Sunday, July 22, 2018

Past is prologue

I'm working on a project right now ...


I'd call it a commission, but as I have declined any monetary compensation, it is better considered a gift.

The full story will be told later, but this is the back story of its making (quite literally, as this is indeed the back) ...


I am stitching eyelet initials on a vintage handkerchief, which is most likely linen. Originally I was attempting to stitch the initials in an imitation of the font on a wedding invitation, but the results looked amateurish. I tried and tried with every fiber in my cloth pantry: fine linen thread, cotton floss, plied silk untwisted into a single strand. I tried split backstitch and plain backstitch. I tried different fonts. Nada.

It had everything to do with the handkerchief. So after a design consult with my oldest daughter, I decided to go back to my colonial marking stitch roots and headed out to stock up on supplies. Seeking the finest silk possible, I asked for direction from a helpful employee at Needleworks in Austin. Peering at the proffered handkerchief she opined "70 count?" 

"Probably," I replied (while making a mental note to check the count later) and then went on to select four silks and three needles to try ...


The John James needles, usually my go-to needles of choice, were quickly eliminated. Likewise the first three silks, of which one was too white, another too fuzzy, the third too heavy. The last silk tried was best, hugging the gossamer strands of the (confirmed) 80-count handkerchief. Even so, the crossed stitches sat too high on the cloth.

And so, eyelets ... each composed of eight stitches ... each stitch ideally worked over three gossamer strands of the handkerchief ... or two, or four (it's hard to tell sometimes) ...


The camera focus shuddered on this last image, moving in and out, much as my eyes do while working. Thank goodness I'm as near-sighted as I am. Even so, I can't work more than a few hours at a time. I'm on day four or five at this point.

All this (and the full story yet to be told) awakened me this morning with a thought. So I pulled out the wicker basket in the back of our closet, dug down to the bottom, and unfolded a sheet-wrapped bundle to try this on ...


I can honestly say I weigh the same as in 1977, but these days the zipper couldn't possibly be closed without tearing something. Sadly, gravity and childbearing seem to have moved significant portions of my anatomy south.

So I'll leave you with this vintage image instead ...


and a promise to tell more of how this project came to be ... later, when it is done.
  

Monday, June 4, 2018

Page 1 is done

I could hardly wait to finish stitching ...


so I could add text, this time printed out and laid onto the cloth before scanning (and still subject to editing of course) ...


And then it hit me that I really should create text boxes for each page before stitching ...


the better to plan ahead.

And I would be remiss if I didn't include the sun as seen from the back ...


But best of all, this beaming boy ...


Jackson on his first day of (summer) Kindergarten. Because his school district actually offers one month of summer school free to any child for any reason. A wonderful way to get ready for the real thing in August!

Addendum:

I've added a link to FOLLOW THE PROGRESS OF MOON MYTH at the top of the right sidebar which will document the pages of Moon Myth in sequential order as they are created. Since I'm at the earliest stages, the images are really rough drafts which will be updated as they are edited. 

Wednesday, May 30, 2018

This is just a test ... eeeeeeeeeeee

I hesitated to use Grace's trademark "eeeeeeeee" but it was just too perfect for how things have progressed to this first test page for Moon Myth ...


There are many editorial tweaks to come on text, format, margins, font, etc etc etc ... but it has already come a long way. And it is here that I must acknowledge the incredible wealth of knowledge I have gained from my recent revisiting of Jude Hill's Spirit Cloth classes. Time to send another donation in appreciation of her incredible teaching.

To recap how I got to this test page, I took my cloudy patches from this post
after agonizing about which Deb Lacativa threads to  use, which was pointless worry as any of her threads would have worked. From there I decided to use her thread magic on my base cloth seams, seen best here ...


The stitches are like an endlessly fascinating string of jewels popping into view, turning an otherwise repetitive task into true patchplay.

I had originally trialed an intricately paperless patched base for each page of Moon Myth ...


but it was too fussy and felt "tight" somehow. So a consult with my fellow artist in residence led to stitching the patches onto a simpler base ...


which also felt a bit "tight" until I watched one of the Spirit Cloth videos on managing layers and realized there was a simple solution to be found in cutting through the back of the base thus easing the patches into it ...


Then I basted some harem cloth on to anchor the base seams and provide a friendly ground for future stitching ...


because my ultimate goal is to create a cloth for each page of the book ...


then scan each cloth ...


and superimpose text using Word. From there I'll be able to make "camera ready" PDF pages and print multiple copies of the book.

But then I'll have all these (hopefully) beautiful little cloths with large blank spaces. Hand stitching all the text into those spaces isn't realistic, so the plan is to stitch selected words from the text on to each cloth page and then join all the cloths together into a large story cloth.

At least that's the plan for now. 

Stay tuned ...